Page 152 - 3 ADIM DENEME SINAVI YDT KİTAP 3.ADIM

YDT • İngilizce 3. ADIM • 5. DENEME

78. (I) The Dust Bowl was a period of intense dust 80. (I) With an outflow from urban life and individuals
storms in the 1930s that severely harmed the preferring a simpler existence, the trend towards
ecology and agriculture of the American and rural living in the western world appears to be a
Canadian great plains. (II) People and livestock sign of the times. (II) In some cases, people even
perished due to the high winds and choking dust that embrace the idea of ‘slow living’. (III) Even though
swept through the region from Texas to Nebraska, individuals suffer from burnout due to the stresses
and this caused crop failures throughout the entire of urban life, they are not apt to escape from it.
region. (III) The phenomenon resulted from the (IV) They believe that by leading a calmer life in
combination of severe drought as a natural factor and harmony with nature, they may reboot their minds.
human-made factors, including the inability to utilise (V) They are abandoning their luxuriously equipped
dryland farming methods to prevent wind erosion homes and offices and setting themselves in truly
and, most notably, settlers’ destruction of the region’s distant and natural ecosystems in an effort to reset
natural topsoil. (IV) The Dust Bowl magnified the their lives and future expectations.
severe economic effects of the Great Depression
A) I B) II C) III D) IV E) V
and drove many farming families to migrate in search
of employment and better living conditions. (V) The
Dust Bowl has been the subject of numerous cultural
works, including John Steinbeck’s novel The Grapes
of Wrath, written in 1939.
A) I B) II C) III D) IV E) V

79. (I) The most notable exponent of ‘ukiyo-e’ paintings,
depicting ordinary life and typically printed on paper
using a woodblock technique, is the Japanese artist
Katsushika Hokusai. (II) Originally from China,
woodblock printing is an ancient method for printing
text, images, or patterns that are widely employed
throughout East Asia. (III) Incorporating diverse
topics such as kabuki players, sumo wrestlers, and
iconic landscape paintings, the artist revolutionised
the e-painting process and imparted his own
interpretation by transferring the use of Western
colour to his works. (IV) With his massive series
Thirty-Six Views of Mount Fuji, which contains
the classic print, The Great Wave off Kanagawa,
he reacted to a surge in domestic travel in
Japan out of a personal interest in Mount Fuji.
(V) His composition, The Great Wave, which blends
the Western perspective with conventional Japanese
prints, garnered him instant fame in Japan and, later,
in Europe, where it inspired the Impressionists.
A) I B) II C) III D) IV E) V

TEST BİTTİ.
12. SINIF 150
CEVAPLARINIZI KONTROL EDİNİZ.