Page 93 - ÇALGI EĞİTİMİ | NEY 12
P. 93

ETKİNLİK

            •  Aşağıda evfer usulüne örnek olarak verilen kürdilihicazkâr makamındaki şarkının ve ağır evfer usulüne
               örnek olarak verilen segâh makamındaki Mevlevi ayin-i şerif  2. selamının bona ve solfejini usul vurarak
               yapınız.
            •  Eserleri çalgınızla seslendiriniz.


                                             KÜRDİLİHİCAZKÂR ŞARKI
                                               KAR IYAKA'DA İZMİR'İN GÜLÜ
                Evfer

                    =252                                                 Ï                Beste: Hristo Efendi

                   3      Ï . Ï Ï Ï Ï Ï Ï       Ï 6    Ï  Ï  Ï 5  Ï  Ï  Ï n  Ï  Ï  Ï 6  Ï  Ï  Ï  Ï  Ï  Ï  Ï

              &   3  3





             4     3   Ï  Ï Ï         Ï  Ï  Ï     Ï  Ï              Ï
              &   3  3          Ï Ï                     Ï  Ï Ï   Ï     Ï  Ï   Ï  Ï Ï   Ï Ï Ï    Ï  Ï  Ï  Ï





             7                                                         Ï  Ï 6  Ï  Ï 6  Ï        Ï  Ï
                   3   Ï  Ï Ï Ï Ï Ï       Ï 5  Ï    . Ï 5  Ï  Ï Ï  Ï  Ï  Ï              Ï  Ï 5  Ï     Ï
              &   3  3





             10    3   Ï  Ï 5 Ï            Ï  Ï  Ï   Ï  Ï Ï Ï Ï Ï Ï            Ï  Ï           Ï  Ï  Ï
              &   3  3          Ï Ï    Ï  Ï         . .                              Ï  Ï  Ï






             13    3   Ï   Ï
              &   3  3          Ï    Ï Ï      Ï  Ï  Ï  Ï    Ï     Ï   Ï Ï      Ï Ï         Î           . .





             15    3     Ï  Ï Ï Ï Ï Ï Ï     Ï  Ï  Ï Ï     Ï Ï Ï       Ï Ï Ï         Ï
                                                                 Ï
                                                                           Ï
                                                                                             Ï Ï
              &   3  3 . .                                                     Ï Ï Ï     Ï Ï Ï Ï       Ï
                      ARA NA ME


             17                                  Ï  Ï
                                          Ï Ï
                                                                        Ï
                   3          Ï Ï      Ï Ï           Ï  Ï  Ï  Ï     Ï  Ï Ï   Ï Ï                       .
                                Ï Ï
                         Ï
                    3
              &   3 Ï Ï                                          Ï                Ï Ï  Ï Ï  Ï Ï        .



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