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YDT/İNG
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A) had limited recognition and did not significantly
The Guggenheim Museum in New York’s alter the tradition
exhibition, Hilma af Klint: Paintings for the Future,
was a ground-breaking showcase that challenged B) perfectly aligned with the artistic sensibilities of
the artistic tradition. This remarkable exhibition the time
rewrote art history by asserting Hilma af Klint
as t e or d s rst a stra t a ter a t at C) preserved the status quo of art traditions
the claims of Wassily Kandinsky and Kazimir without any disruption
Malevich. Klint’s bold and mesmerising images
de ted st a v s o s ue ed er dee D) challenged art historical norms as a pioneering
inner word rooted in Eastern philosophies. During figure in abstract painting
that era, artists and intellectuals often engaged in E) imitated the styles of other prominent artists
philosophical practices, and Klint sought guidance and offered nothing original
through those, which led her to design a temple
and create breathtaking interior paintings. The
Guggenheim displayed Hilma af Klint’s deep and
visionary works, inviting audiences to discover
the transformative power of her artistry. Her work
eventually challenged conventional ideas and
pushed the boundaries of the art world.
A) A Revolutionary Art Exhibition
B) Forgotten Era of Abstract Painting
C) Exploring Visions in Art History
D) The Influence of Philosophy on Artists
A) It went unnoticed and had no impact on the art
world. E) A History of Modern Art
B) It reshaped art history and introduced a new
perspective.
C) It followed conventional art norms without
challenging anything.
D) It got widespread attention and revolutionised
the art world.
E) It was considered a failure due to its lack of
artistic depth and innovation.
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