Page 100 - ÇALGI EĞİTİMİ | NEY 12
P. 100

20       Ï      Ï      Ï     Ï                    Ï                                     r
                 &  4  8        R  Ï               Ï Ï      Ï 6 R     Ï Ï         Ï 6  Ï   Ï 8  Ï      Ï





                22                                         Ï Ï Ï     .      Ï 8  Ï  Ï  Ï  Ï Ï  Ï  Ï 6  Ï
                 &  4  8   . Ï  Ï    Ï       . Ï        Ï                          R                     Ï
                                                                                                         R
                                                        R


                25           Ï Ï   Ï Ï   Ï 8  Ï  Ï 6  Ï Ï  Ï  Ï 8  Ï  Ï  Ï  . Ï  2 Ï  Ï  Ï         Ï  Ï 8  Ï
                                                      1
                 &  4  8  Ï  R                    R       R                   . .    R     Ï  Ï  Ï       R

                                                          SAZ                        SAZ





                BİLGİ NOTU

                        Curcuna usulünde bestelenmiş eserleri 10/16’lık olarak yazmak doğru ise de nağmelerin yoğun
                 olması hâlinde bu usuldeki eserler 10/8’lik olarak da yazılabilmektedir.



                                       ETKİNLİK

               •  Aşağıda 10/8’lik yazılmış curcuna usulüne örnek olarak verilen hüzzam makamındaki şarkının bona ve
                  solfejini usul vurarak yapınız.
               •   Eseri çalgınızla seslendiriniz.



                                                     HÜZZAM ŞARKI
                                          ÖMRÜM SENİ SEVMEKLE NİHAYET BULACAKTIR

                   Curcuna
                       =155
                                                                                       Beste: Yesari Asım ARSOY
                                                                         Ï
                                             Ï
                      4 8     Ï Ï     Ï   Ï Ï Ï    .        Ï  Ï    Ï Ï Ï   .     Ï  Ï  Ï  Ï   Ï   Ï  Ï  Ï
                 &   5                                  Î




                4     4 8  Ï .  Ï Ï Ï Ï         Ï Ï Ï Ï       Ï  Ï  Ï Ï   Ï      1  .
                                                                                                  Ï 8
                 &   5                                                       Ï Ï       Ï    Ï  Ï Ï    .   . .
                                                            - 2 -



                7         2                                  Ï                            Ï Ï
                      4 8  Ï .  Ï Ï   Ï  Ï Ï  .    .  Ï  Ï  Ï    Ï  Ï Ï Ï Ï    Ï Ï     Ï          Ï  Ï  Ï
                                                                       Ï
                                          Ï
                 &   5                             .

                                                           98

                10    4 Ï      Ï  Ï  Ï    Ï  Ï  Ï        .        Ï Ï Ï
                       8
                 &   5                 Ï           Ï Ï       Ï         Ï     Ï  Ï  Ï Ï Ï      Ï    Ï  Ï 8  Ï





                13    4 8  1           Ï  Ï Ï .       2                                  Ï
                                                      Ï
                                                                                                      Ï
                                                   .
                 &   5    Ï .   Ï    Ï     Ï       . .      Ï    Ï 8  Ï        . .  Ï Ï      Ï Ï    Ï 8 .



                16    4 8              Ï     Ï        Ï    Ï  Ï    Ï    Ï  Ï       Ï .   Ï Ï Ï Ï          Ï
                 &   5    Ï    Ï 8    Ï   Ï       Ï                           Ï





                19    4 8  Ï Ï Ï    Ï  Ï  Ï Ï   Ï  Ï Ï   .   Ï Ï Ï                 2 Ï .  Ï Ï  Ï  Ï Ï  .
                                                       1
                                                                                                   Ï
                                                                          Ï
                 &   5                                                  Ï 8 .   . .
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